Installation in “Overflow”

Gallery 198 is pleased to present Overflow, a Skowhegan alumni group show guest curated by Andrew LaFarge Hamill, opening in July. Overflow is a site-responsive exhibition that brings together 21 multigenerational and multidisciplinary artists inquiring into how we relate to the waterways that support contemporary city life. All participating artists are alumni or former faculty of Skowhegan, one of the nation’s most renowned art schools, located in rural Maine. Grounded in Skowhegan’s ethos of sustainability and shared inquiry, the exhibition asserts the artist’s role as an active agent in stewarding waterways.
https://www.gallery198.com/s/Overflow_Press-Release-for-gallery-2.pdf

Brian Zegeer
a pool a pond a tide a cistern a spring , 2026
Mixed-media Installation, acrylic and latex-painted, hand-stitched fabric, cg animations on found monitors, recording of ghost stream walk with Eymund Diegel

20 by 10  by 5 feet

Ghost streams flow beneath the urban infrastructure, surfacing buried histories in flood and sinkhole. This installation visualizes geological shifts, erosions, eruptions from beneath the surface as movements counter to the conventional progression of time, a terraced fountain of brackish backflow by which precolonial history floods into the future. 

Baal’s Garden

Baal’s Garden (work-in-progress)
cut paper animation, custom score with digital processing
3 mins 51 seconds
2024

Baal’s Garden (work-in-progress) is a cut paper animation following a family’s visit to a greenhouse, and subsequent infection by a hybrid creature. The narrative is meant to challenge conventional species taxonomies, the separation between human, animal, botanical life forms that drive our extractive relationship with the natural world. In the video, an individual’s identity is imagined as the consolidation of various microbiological ecologies into an aggregate ‘I’, crowd psychology sharpened to a razor point in the family group mind.

This work continues my practice of incorporating sculptural works in my animations, and deputizes some of these sculptures to act as homemade instruments, comprising much of the score.